Why Do Cardboard Furniture Craft?

I have often been asked: "Why do you deal in cardboard crafts?"
I must confess that it is cool. Imagine, having the ability to create, through your own efforts - easily and cheaply, any furniture you fancy. Whether it exists already, or comes from your own imagination. Whether it is something you need and can't find on the market -you can plan, design, and create it in a few days. Doesn't it sound like a dream? There is nothing like sitting back on an armchair and enjoying, it being your own creation.
I have discovered cardboard furniture several years ago, and on the same night - I created my first furniture.
Ok, I agree that not everyone can create furniture just by looking at it on the Internet. But for that very purpose, I am here - I undertake courses where I teach the whole Torah of cardboard crafts, and I deliver detailed designs for people to create and get similar satisfaction as I have. I supply schemas, videos and written description so every one can build their own cardboard furniture.
What is exceedingly charming is that anybody can design and create his own furniture. You just need to render your imagination it. The soft and light material (Cardboard) makes it an ideal craft for parents and kids to do at home. There is no need of heavy machinery to process it.
I have immense satisfaction to see the thousands of people that create their own furniture by themselves.
What do you need to start? Tools and materials value under 50$. The main raw material is cardboard which we can get freely from any cardboard recycle center. The rest are glue and some finishing material (like paint).
The benefits of using cardboard are:
a. Cardboard furniture is ecological furniture. Mainly because, cardboard is perishable raw material and also recyclable.
b. The furniture we create is ecological as we use reused cardboard. Instead of recycling it we use it as it is and use it in our furniture. Less paper waste, less cutting trees, less methane gas and many other benefits
c. Cheap raw material - Cardboard can be obtained freely most of the time. The furniture cost is determined by the finishing product we use.
d. Cardboard furniture is light-weight. Making it easily movable when doing house hold work.
e. Fed up with furniture look? Want to upgrade? Very easy, in a small amount of time you can paint, change, add or remove elements from existing furniture to get a whole new masterpiece!
f. Your imagination is the limit - you can do almost anything using cardboard: From simple frames to sofas, from bookcases to baby beds and desks.
g. The furniture created is rigid and loaded with heavy load, because of the cardboard structure and the processing technique.
h. The cardboard is soft and easy to process. This makes it very suitable to women who want to practice a "do it yourself" hand craft. This also eliminates the need to use heavy electrical machinery, make it a perfect craft to do at homes, and with the kids.
i. The cardboard is very forgiving to building mistakes. Mistakes can most often be covered by adhesive paper and painted.

The Story of Gretsch Drums

The history of Gretsch drums goes back to the 1870s, when Friedrich Gretsch left Germany for a new life in America and settled in Brooklyn. His first job was with the Albert Houdlett and Son company, making drums and banjos. At the age of 27 Friedrich opened his own shop on South 4th Street, Brooklyn, in 1883, and was also involved in the production of drums, tambourines and toy instruments for various wholesalers. Unfortunately Friedrich died unexpectedly in 1895, and so his 15 year old son Fred Gretsch Sr took over the business, showing incredible business sense despite his young age. Within 5 years he had moved the company to bigger premises, and was actively promoting his business by spending time on the road selling his products to wholesalers (at this time they werent sold under the Gretsch brandname).
By 1916 the business had outgrown its premises again, and Fred moved the firm to a 10 story building in Broadway, Brooklyn, which would remain the company headquarters until the early 1970s. Production continued for many years with Gresch continuing to make products for other companies (such as Billy Gladstone). Fred Sr retired in 1942, and appointed his son Fred Gretsch Jr as president of the company, although had to take leave of these duties to serve with the US Navy during World War II, resuming in his role in 1948. During these turbulent years, the Gretsch factory produced items for the war effort rather than musical instruments. Once life got back to normal however, Fred Jr wanted to start making drums again, but this time he wanted to produce the best drums possible and spent many evenings in New Yorks music clubs, talking with working drummers and taking their opinions on board. One of their requests was for smaller, easier to carry drums. Gretsch developed the 20" bass drum, disappearing bass drum spurs and shell mounted tom holders for this purpose. A few of the famous drummers of that era such as Mel lewis and Louis Bellson started to use these new drums.. indeed it was gretsch that put together an idea of Bellsons, the first drum kit with double bass drums! Another Gretsch innovation from that time was the adjustable internal muffling tone control.
Another area in which Gretsch challenged the traditional drum making of the time was their approach to making drum shells.. rather than using shells that required reinforcing hoops, Gretsch shells became 6 plys, with each ply being joined in a different place, making for a much stronger shell that did away with the need for internal support rings. This was the start of what became known as "that great Gretsch sound". These drums were fitted with Die-Cast hoops, and by the 1950s they were the first drum company to exclusively use chrome plating rather than nickel. During this period, many of the biggest names in the jazz drumming scene were playing Gretsch drums, including Art Blakey, Max Roach and Shelly Manne, and by the 1960s they were joined by greats such as Elvin Jones, Sonny Payne and Tony Williams.
Fred Gretsch Jr retired in 1967, selling the company to the Balwin Music Group. They promptly shut the New York factory and moved it to Arkansas. Whilst the production of Gretsch drums continued, the ethos of the firm seemed to have changed, top people such as Phil Grant left the company, and the firm wasnt without its problems in both production and marketing (although the quality of the drums was never in doubt, they always remained excellent). Charlie Roy bought Gretsch in 1982 and became its president, and in 1985 the company was sold again, this time to Fred W Gretsch, the great grandson of the original founder.. Once again the Gretsch brand was back in the hands of the Gretsch family. This revitalized company moved to Savannah, and the line of drums (and guitars) met with great success. The American Gretsch drums of today are almost unchanged from those famous drums of the past... 6 ply maple shells, 30 degree bearing edges, die-cast hoops and the famous "silver sealer" paint on the inside of the shells. As in the early days, many top drummers are playing Gretsch drums, including Vinnie Colaiuta, Phil Collins, Taylor Hawkins, Stanton Moore and many others.
The Kaman music Group signed a distribution deal with Gretsch in 2000, giving the drum brand a higher profile worldwide, and currently the Gretsch brand has 2 sides to it... the American made drums such as USA custom series are made in Ridgeland, South Carolina, whilst Kamans Asian based factories produce the less expensive lines (catalina series etc). These great drums are winning over a new generation of drummers from all musical styles.

The Analogue Music Market - Top 5 Picks From Musik Messe

The European equivalent of the music industry trade show NAMM has flooded the market with trad and tech developments from brand leaders in all areas, from guitars to amps and keyboards to drum machines. To help out confused music enthusiasts we've picked what we consider to be five of the best new trad products to come out of Musik Messe in Frankfurt this year. Look out for our pick of the tech products still to come.
Fender Pawn Shop Series
The biggest news from Fender at the show was a new range of electric guitars inspired by some of Fender's instruments from the '50s, '60s and '70s, plus the more recent Squier Vintage Modified '51 model. As Chris Vinnicombe succinctly put it,"Guitars that never were, but should have been." For example, the Fender '51 has a Stratocaster body, Telecaster neck, single-coil Texas Specialbreak pickup, Fender Enforcer humbucking bridge pickup and early '50s PrecisionBass-style dual-knob chrome control plate. The Fender '72 has a semi-hollow Strat body with an f-hole and a u-shaped Telecaster neck, plus a combination of the same '50s PrecisionBass-style control plate as the '51, with 70s-style hardtail Strat bridge and Fender F-tuners. The Mustang Special has a classic '60s era C-shape body, 24 inch short-scale maple neck, rosewood fretboard with modern 9.5 inch radius and the 3-way coil selector slide switch for each humbucking pickup gives the guitarist 18 tonal options. The Fender Pawn Shop Series is a true amalgamation of Fender's vintage best bits coupled with modern sound and Fender's quality manufacturing and will no doubt be popular with guitar enthusiasts everywhere.
Vox Valvetronix Pro Series
As Vox enthusiasts will know the Valvetronix range centre around a Valve Reactor circuit; a real vacuum tube to produce true tube tone. In the Pro Series the standard 12AX7 tube has been replaced with an EL84 tube to give a more accurate tube sonic signature. The latest addition to the range also has 44 amp models, more than any previous model, plus a diverse selection of pedal, modulation, delay and reverb effects. Essential to the quality of Vox Valvetronix is the speaker, which in the Pro Series is a Celestion VOX NeoDog speaker, and manages to be both lightweight and powerful with a neodymium magnet. Nothing can beat the warm tonal sound of an old valve amplifier and with the new Valvetronix Pro Series Vox have certainly achieved their best yet.
Yamaha Pacifica Guitars
Yamaha are still proving to be ahead of the game with another bundle of affordable yet high quality and high performance guitars. Four new guitars have been added to the Pacifica range at Musik Messe, with a new configuration of hardware and pickups. The 611HFM has Seymour Duncan pickups and coil tap tone pot teamed with a flamed maple and alder body and vintage tinted maple neck. The 510V combines professional hardware with an exclusive single Seymour Duncan pickup, tinted maple neck and rosewood fingerboard. The 311H has custom-wound pickups, high-quality hardware and coil tap all matched with solid tonewood construction for great musical and tonal variation. The 120H has a maple neck, rosewood fingerboard and alder body with high performance neck and bridge humbuckers.
Warwick WA Bass Amp Heads and Cabinets and BC Combos
Warwick's WA300 and WA600 bass amp heads and accompanying cabinets sealed Warwick's name as a producer of quality hardware for bassists. The bass heads come with 10 band graphic equalizers, bass and treble controls, adjustable compressors, and passive and active inputs. The Warwick WCA410 cabinet is driven by four new 10 inch drivers with a fresh look at the traditional bullet horn, whilst the WCA115 has been designed as an accompaniment to the 410 where more power is needed. The BC Combos, BC150 and BC300, are the answer for bassists who don't need top volume but still want to be heard. Both Combos have a 15 inch driver and all the features bassists have come to expect with Warwick's BC Combos. The BC150 has a sweepable mid in its 3-band equalizer to boost the 150 watts of power, while the BC300 adds all the features that can be found on the WA300, plus a deeper cabinet, a more powerful speaker driver and Warwick's new HF bullet for a crisp, punchy sound.

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Tips of Unhooking Bra

Two bands wrap around the form, fixing the back. There are usually three vertical columns of hooks and eyes, every column with 1-4 pairs, depending on the width of the strip. The brackets are fixed in the eyes, small semi-circular piece of metal. How to make a bra, you must remove the brackets in the eye.
If you are back before the woman, you can disassemble the hook by simply dragging the strips, first by undo the other, then at an angle of about 45 degrees. It is fairly easy if you can see how they connect.

If you are in front of women, applies the same principle. You may push the band have to get closer before it's gone from your point of view blocked. This can be a couple of attempts - trying to get an idea of the connection and how to break it.

So if you wear a bra, you have two options: you can reach behind you, or take the straps from her shoulders and turn the first bra, so that the catch in front of you.

If the bra is behind you, your hands behind your back, from bottom to top. Enter a band in each hand. "Cross" the tapes and when you click on the release of the hook eye feel, to separate them.

When you turn the bra in front of you, grasp the band in each hand again, the crosses and split the same way.

Maybe if you shear the latch hook / ring together, the open ends of the hook almost 180 degrees, are rotated, then the elastic will pull the group apart immediately! (This can be done via a pinching of fingers, even through a top, to his surprise.)

For the ultimate surprise, you can get a bra with one hand like this: Confronted with the bra straps and the use of his right hand, pull the upper end of the tape (hook) button on the right side with the index finger and Simultaneously, the lower left. Once the hooks are free from loops, exits and follow the bra is willing to pay. It may be in the direction of the wearer easy to score with the index to move naturally with the curve of the hook. With a little practice this method is faster and easier.